The blend of Victorian-era settings with science fiction storylines is always a fun way to tell a story, and this script does a great job of combining the mores and trappings of that era with the strange new realities that Haldane encounters. Scenes such as those where Haldane is in his lab examining the crystal are particularly easy to envision in this context. The reader spends almost every moment of the script following Haldane, so it’s crucial that the author is able to maintain sympathy for him; and, while it’s never quite clear if Haldane is a ‘good’ person or not, his adventures and actions are never boring. Also strong is the presentation of Haldane’s slow acclimatization to his newfound powers. This is reminiscent of superhero stories in which the protagonist finds himself entering a new reality, but, set in Victorian times, it feels fresher and more fun. The script’s final scene, with the alien ships arriving one hundred twenty years later, is a great moment that vastly expands the world that the story inhabits, and opens up the door for more stories set in that world.
